Think about if George Cukor’s The Girls was a contemporary, Spanish-language telenovela set in Ecuador moderately than a 1939 dramedy in regards to the lives of rich Manhattanites. Now think about if the collection was directed by Pedro Almodóvar and its characters have been delivered to life with stop-motion animation as an alternative of being portrayed by Hollywood heavyweights like Joan Crawford and Norma Shearer. Now, take into consideration how transgressive that present can be if it handled queerness because the norm and informed a politically charged story in regards to the relationship between colonialism and capitalism. That present can be quite a bit like Grownup Swim’s Girls Carrying Shoulder Pads.
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