Chloé Zhao’s lyrical, elegiac new movie Hamnet, based mostly on the novel by Maggie O’Farrell, has been an Oscars frontrunner since its competition launch earlier this 12 months. However because it made its approach to mainstream theaters over Thanksgiving week, a brand new narrative emerged with a central query: Is that this movie, constructed across the harrowing loss of life of Shakespeare’s 11-year-old son and the writing of Hamlet, a transferring meditation on grief and the ability of artwork to assist us course of it? Or is it hokey and manipulative schlock?
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